Feeling industrious, I opted to read the latest issue of Art Education journal on my commute today, rather than the most excellent fiction I’ve been reading lately, Extremely Loud and Incredibly Close by Jonathan Safran Foer.
I was struck in a very personal way by:
Taking The 40/40 Challenge: Sixteen Painters Working Daily To Develop a Painting Discipline
by Camilla McComb
McComb chronicled the mental struggle when asked by her students, “Ms. McComb, do you paint every day?” A simple question at face value, but if I were asked the same question, it would churn up quite a bit of guilt and also a good deal of ambition.
Art teachers are asked to wear many hats. In my mind, we need to be foremost an educator, in order to effectively manage, teach and inspire students. Second, we must have a mastery of subject matter, very rarely do I consider the artwork created in my free time part of my career.
This hierarchy seems to have served me well thus far, but after reading that McComb considered this behavior in herself to be “perpetuating artistic fraud,” I had to do some soul searching and ask hard questions of myself.
In Camilla McComb’s case, she joined her students in a 40/40 Challenge, which was 40 paintings in 40 days, painting for one hour each night. Clearing the time, and the mind for an hour of painting nightly seems a monumental task in the busy, overstimulated “leisure time” of 2006.
I admire McComb for her ability to look honestly at herself and the work habits of her students while joining them in an endeavor to actively change how they create. I would love to see how the challenge would change if it became 40 sketches in 40 nights.
